{"id":1518,"date":"2025-10-30T21:05:47","date_gmt":"2025-10-30T20:05:47","guid":{"rendered":"https:\/\/concertience.fr\/leblog\/?p=1518"},"modified":"2025-10-30T21:08:13","modified_gmt":"2025-10-30T20:08:13","slug":"le-silence-de-lecoute","status":"publish","type":"post","link":"https:\/\/concertience.fr\/leblog\/le-silence-de-lecoute\/","title":{"rendered":"Le silence de l’\u00e9coute"},"content":{"rendered":"
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J’aime beaucoup cet extrait de \u00ab\u00a0Toute une vie pour la chanson, Andr\u00e9 S\u00e8ve interroge Georges Brassens\u00a0\u00bb.<\/p>\n\n\n\n

\u00ab\u00a0Georges Brassens : Tu sais, \u00e0 force de r\u00e9citer des po\u00e8mes en classe, et d’\u00e9couter des chansons, on voit \u00e0 peu pr\u00e8s comment \u00e7a se fabrique.\u00a0
Andr\u00e9 S\u00e8ve : Mais tu as travaill\u00e9 la versification ?\u00a0
<\/em>G.B. : La plupart de ceux qui \u00e9crivent les chansons n’ont pas \u00e9tudi\u00e9 la versification. On est fait pour \u00e9crire des chansons ou on n’est pas fait pour \u00e7a. Si on est fait pour \u00e7a, on n’a pas tellement besoin d’apprendre les r\u00e8gles.\u00a0
A.S. : Toi, tu les as apprises ?\u00a0
<\/em>G.B. : Oui, plus tard, parce que je raffinais un peu, mais\u2026\u00a0
A.S. : Tu en as conserv\u00e9 de tes premi\u00e8res chansons ?\u00a0
<\/em>G.B. : Non. On peut \u00e9crire des chansons sans … tu ne m’\u00e9coutes pas ?\u00a0
A.S. : Non, c’est parce que\u2026\u00a0
<\/em>G.B. : Tu suis ta pens\u00e9e, je sens \u00e7\u00e0. Tu viens ici avec des id\u00e9es pr\u00e9con\u00e7ues et tu veux toujours suivre ton chemin, pas le mien. Quand j’avance quelque part sur une id\u00e9e, il faut me laisser partir et tu m’arr\u00eates. L\u00e0, j’aurais pu dire des choses mieux. Mais il faut le temps pour que \u00e7\u00e0 vienne.\u00a0
A.S. : On y reviendra.\u00a0
<\/em>G.B. : Il ne faut m\u00eame pas dire qu’on y reviendra. Il faut qu’on continue de parler, sans que tu t’occupes des questions que tu as fabriqu\u00e9es ou que toi, tu veux suivre. Veux-tu Brassens, ou veux-tu fabriquer Brassens ? Si tu suis ton id\u00e9e, tu perds ce que moi, en suivant ce qui me venait, j’allais te dire\u00a0
A.S. Les sp\u00e9cialistes n’ont pas su m’ouvrir \u00e0 tes musiques, ni m\u00eame \u00e0 tes textes.\u00a0
<\/em>G.B. : C’est parce que toi, tu ne t’ouvres que si tu veux. Depuis que tu me questionnes, je le vois bien. Quand je t’explique quelque chose qui ne co\u00efncide pas avec ce que tu voulais que je te dise, tu d\u00e9tournes la conversation.\u00a0
A.S. : Moins maintenant ? Depuis trois jours d’\u00e9coute.\u00a0
<\/em>G.B. : D’\u00e9coute, si on veut. Non, tu attends, tu attends, et quand \u00e7a co\u00efncide avec ce que tu attends, pof, \u00e7a fait tilt, tu me regardes d’une fa\u00e7on vivante, tu es ouvert. Mais quand \u00e7a ne co\u00efncide pas, je vois ton visage sans vie, je te surveille, tu sais, j’en apprends beaucoup sur toi en observant ton comportement d’interviewer. Tu arrives ici avec un Brassens enti\u00e8rement pr\u00e9fabriqu\u00e9 dans ta petite t\u00eate et tu veux me faire entrer l\u00e0-dedans. La seule chose qui t’int\u00e9resse, c’est de me faire dire ce que, d’apr\u00e8s toi, Brassens doit dire, ce que Brassens doit \u00eatre. Tu pourrais avoir le vrai Brassens, et en tout cas un Brassens inattendu. Mais tu t’es pr\u00e9par\u00e9 au Brassens que tu veux. On attend toujours les \u00eatres comme on les veut, on n’est pas pr\u00eat \u00e0 la surprise.\u00a0\u00bb<\/p>\n\n\n\n

Apprenons \u00e0 nous d\u00e9faire de nos attentes et pr\u00e9jug\u00e9s pour \u00eatre pr\u00eat.e \u00e0 nous laisser surprendre par la vie !<\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

J’aime beaucoup cet extrait de \u00ab\u00a0Toute une vie pour la chanson, Andr\u00e9 S\u00e8ve interroge Georges Brassens\u00a0\u00bb. \u00ab\u00a0Georges Brassens : Tu sais, \u00e0 force de r\u00e9citer des po\u00e8mes en classe, et d’\u00e9couter des chansons, on voit \u00e0 peu pr\u00e8s comment \u00e7a se fabrique.\u00a0Andr\u00e9 S\u00e8ve : Mais tu as travaill\u00e9 la versification ?\u00a0G.B. : La plupart de… Lire plus »<\/a><\/p>\n","protected":false},"author":2,"featured_media":1520,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[68],"tags":[7,10,76],"class_list":["post-1518","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-tresors","tag-cnv","tag-communication-nonviolente","tag-empathie"],"yoast_head":"\nLe silence de l'\u00e9coute - Le blog de Fran\u00e7oise Keller<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/concertience.fr\/leblog\/le-silence-de-lecoute\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Le silence de l'\u00e9coute - Le blog de Fran\u00e7oise Keller\" \/>\n<meta property=\"og:description\" content=\"J’aime beaucoup cet extrait de \u00ab\u00a0Toute une vie pour la chanson, Andr\u00e9 S\u00e8ve interroge Georges Brassens\u00a0\u00bb. \u00ab\u00a0Georges Brassens : Tu sais, \u00e0 force de r\u00e9citer des po\u00e8mes en classe, et d’\u00e9couter des chansons, on voit \u00e0 peu pr\u00e8s comment \u00e7a se fabrique.\u00a0Andr\u00e9 S\u00e8ve : Mais tu as travaill\u00e9 la versification ?\u00a0G.B. : La plupart de... 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